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jean pfaelzer
Professor
American Studies, Asian American Studies, Cultural Studies,
Utopian Studies, Women's Studies, 19th Century American Literature
Office: 316 Memorial Hall
Phone: (302) 831-6722
E-Mail: pfaelzer@udel.edu
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Jean Pfaelzer (B.A., M.A. University of California,
Berkeley; Graduate Diploma in Literature and Society, Cambridge
University ; Ph.D. University College , London ) is Professor
of English and American Studies, with a joint appointment
in the Honors Program and an affiliated appointment in Women's
Studies. She is the author of Driven Out! The Forgotten
War Against Chinese Americans (Random House 2007);
Parlor Radical: Rebecca Harding Davis and the Origins of American
Social Realism; The Utopian Novel in America;
ed. The Rebecca Harding Davis Reader; ed.
critical edition of Mizora, Mary E. Bradley Lane.
She has just completed work on a documentary for PBS/KEET
on the Chinese Experience in Humboldt County.
She is the author of 30+ articles in the areas of nineteenth
century American Literature, women's literature, feminist
theory, utopian fiction, and cultural theory. She is the director
of the University Honors Writing Fellowship Program. She was
Chair of the American Studies Association International Women's
Task Force, served on the Women's Committee of American Studies
Association. She was appointed to the Washington D.C. Commission
for Women, and was a consultant for and now serves on the
American S. Association for the Coal Employment Project, the
organization of women coal miners.
Jean Pfaelzer teaches undergraduate classes in American literature;
American women's literature; labor fiction, film and culture;
and utopian fiction, film and culture. She teaches graduate
courses in cultural studies, feminist theory, realism and
representation, and American women writers and their cultural
and political contexts. She has recently directed dissertations
in the areas of nineteenth century American women playwrights,
nineteenth century immigrant Irish women's novels, shipwrecks
and the public culture of trauma, nineteenth century Chinese-American
women's fiction, American sentimentalism, and transracial
adoption narratives.
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