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The Planetary Estate: Environmental Agency in the 19th Century Transatlantic<p><em>The Planetary Estate: Environmental Agency in the 19th Century Transatlantic</em> argues for the crucial role played by nineteenth-century texts in forging an understanding of <em>human environmental agency </em>– the capacity of human beings to intervene in ecological systems.  Conceptions of human environmental agency are key to our current understanding – or denial – of the human role in phenomena such as climate change. Yet, as Dipesh Chakrabarty famously remarked of the Anthropocene, there is a “question of… human collectivity” that accompanies any discussion of large-scale environmental agency at the level of the human species. Rather than sidestepping this question, this investigation unpacks the history of how certain kinds of natural engineering came to be associated with imperial power, while others – such as the agencies of Scottish Highlanders, Native Americans, and African slaves – were repressed in imperial discourse. Attending to human environmental agency in the works of writers such as Jane Austen, Mary Shelley, Walter Scott, Mary Prince, Kah-ge-ga-gah-bowh, and H.G. Wells also means attending to the means by which certain environmental agencies were excluded from, while others came to define, the category of “the human.” </p><p> </p>Carroll, Siobhansicarrol<img alt="" src="/graduate-sub-site/PublishingImages/19thC%20Oceans%20class%20at%20museum.JPG" style="BORDER:0px solid;" />
Common Destinations: Maps in the American Experience<p><em>Common Destinations: Maps in the American Experience</em> is a path-breaking exhibition that charts objects and imagery related to America’s historical fascination with maps.   Created by Martin Brückner, Professor in English and American Literature at the University of Delaware, assisted by Winterthur’s Catharine Dann Roeber, Alana Staiti and Heather Hansen, Common Destinations was displayed in the Winterthur Galleries (April 20, 2013 to January 5, 2014) and is now permanently available online.  Presenting over 100 items from the Winterthur collections, the exhibition shows how long before there was a <em>National Geographic</em> magazine or <em>Google Earth</em>, maps were central to the social and commercial activities of Americans. In six sections featuring giant wall maps and tiny pocket globes, hefty folio atlases and fragile map handkerchiefs, the exhibition shows the rise of American maps from rare collectibles to popular object available to American citizens of all backgrounds. Visitors of the online exhibition will see how men used maps at home and abroad; how women and children engaged with maps to foster family ties; and how maps became the social glue that would bind a people of strangers into a community during times of change and development. Emphasizing everyday habits and material culture, each of the exhibition’s section highlights particular map genres and map users, asking the basic question: how would you—based on education, gender, age, and even race—engage with maps in early America?</p><p>To view <strong>Common Destinations</strong>, visit: <a href=""></a></p>Brückner, Martinmcb<img alt="" src="/ResearchProject/common-destinations.jpg" style="BORDER:0px solid;" />
Noah's Arkive<p><strong>Julian Yates</strong> in collaboration with Jeffrey J. Cohen, Dean of the Humanities, Arizona State University, is embarked on a book titled, <em>Noah's Arkive: Towards an Ecology of Refuge</em> (under contract to University of Minnesota Press), which examines the way contemporary initiatives to combat the effects of global warming and the emerging genre of Cli(mate) Fi(ction) engage with the story of Noah's Ark. The book traces the way the elements of the flood story as they have been mediated by medieval and early modern traditions in art, text, and music shape writing and thinking that plot a response to anthropogenic climate change. We contend that the rich medieval and early modern afterlife of the Genesis narrative offers forgotten strands of thought, forgotten elaborations of the story, written from the perspective of Noah's wife and family, the animals on the ark, and crucially those excluded and so left behind to die, that speak more eloquently and compellingly to the ethical and political burdens of living through the Anthropocene than otherwise routine invocations of the flood story in contemporary culture and science evince. <em>Noah's Arkive</em> recovers these forgotten strands; charts where and how they resurface; and considers how they might lead us to imagine a more capacious and hospitable discourse of refuge. </p><p>If you would like to find out about our recent research trip to a modern-day ark-in-progress in Frostburg MD, you can do so at <a href="">Noah's Ark Being Rebuilt.</a> <br></p>Yates, Julianjyates<img alt="Portrait of Julian Yates" src="/ResearchProject/julianYates.jpg" style="BORDER:0px solid;" />
Milestone for UD’s English Education program<p><strong>Deb Bieler</strong>, in collaboration with Students enrolled in Intro to English Education, Spring 2012.</p><p>The 2011-2012 school year marks a significant milestone for UD’s English Education program, as a new program of study has begun with the entering Class of 2015. The revised major includes an introductory English Education course, a literacy and technology course, an adolescent literature course, and expanded early fieldwork experiences. The inaugural course in the new major, offered for the first time this spring, is Introduction to English Education (ENGL295). This semester, ENGL295 students are engaging in a service learning project at Howard High School of Technology in Wilmington, DE. This partnership is exciting for many reasons. First, because many Howard English faculty are recent alumni of UD’s English Education program, this partnership represents a new way for the program to connect with our alumni. Second, because Howard is a Partnership Zone school, we have an opportunity to actively support local teachers and students in a particularly high-stakes environment. Finally, at Howard, UD English Education majors are observing and participating in cutting-edge reform strategies, such as Professional Learning Communities (PLCs). This spring, Howard commissioned ENGL295 students to work as a PLC to design a new SAT preparation course for its sophomores.<br></p>Bieler, Deborahdeb<img alt="Students in classroom" src="/ResearchProject/RESEARCH_Bieler_XEE_EnglishEd-HowardHigh_050.jpg" style="BORDER:0px solid;" />
Investigating the experiences of disabled faculty in higher-education settings<p><strong>Stephanie Kerschbaum, </strong> in collaboration with Margaret Price at Spelman College and funded by the CCCC Research Initiative, this project investigates the experiences of disabled faculty in higher-education settings, focusing specifically on the rhetorical event of disability disclosure. We understand disclosure as a multi-layered process constituted through the verbal, visual and temporal interactions of a rhetorical situation, rather than as a one-time, verbal utterance such as “I am disabled.” The way disabled faculty compose themselves and are composed by others is complex, and engages questions that have long occupied scholars with regard to issues of identity and positionality in classrooms and professional exchanges. Despite the apparent obviousness of signs of disability, faculty members must negotiate complex rhetorical positions in which they have to explain—repeatedly and for various purposes and audiences—what their disability means in the workplace, and their students and colleagues will need to learn over time what sorts of gestures and situations may impede this faculty member’s access. Research questions include: </p><ol><li>What linguistic, rhetorical, and interactional choices are involved in a faculty member’s disclosure of disability?</li><li>In what ways are disabilities perceptible—or not perceptible—to others?</li><li>How is disability perceptibility accomplished, avoided and/or negotiated by faculty in various locations?</li><li>How does a richer understanding of disability perceptibility productively impact the professional and social environments of higher education? That is, how might policies and/or professional practices adjust in response to a deeper, broader and more nuanced understanding of disability perceptibility?<br></li></ol>Kerschbaum, Stephaniekersch<img alt="Handicap Icon" src="/ResearchProject/RESEARCH_Kerschbaum_accessible-icon_455.jpg" style="BORDER:0px solid;" />
Reverend William Jackson<p>​The Reverend William Jackson was a radical writer, an Anglican clergyman, and a spy for the French revolutionary government at the height of the Reign of Terror. He was arrested while on a spy mission to London and Dublin in April, 1794, was convicted of high treason the following year, and committed suicide at his sentencing hearing. The importance of the Jackson Affair has been noted by Irish historians, but my research shows that its impact was felt much more broadly in the Atlantic world in the 1790s, and has a significant relation to the infamous trials of the London Radicals and to the Alien and Sedition Acts in the United States. It offers us the opportunity to see how print and political discourse was affected by the Pitt ministry’s counter-terror measures in a new way because Jackson (unlike so many others targeted by the British government) actually was a traitor bent on the violent overthrow of his government.<br></p>Kinservik, Matthewmatthewk<img alt="cartoon image" src="/ResearchProject/RESEARCH_Kinservik_Jackson-Affair_crop.jpg" style="BORDER:0px solid;" />
The nature of religious experience as it is embodied in literary texts<p>​His current research comes in two parts, both of which concern the nature of religious experience as it is embodied in literary texts. My focus is on texts which we as writers create and also texts in which writers attempt to embody or provoke a religious experience. The first book, in progress now, blends together medieval meditative practices used in <em>lectio divina</em> with modern composition and cognitive theory to explore a series of ways in which readers can respond to spiritual texts. Each chapter outlines and explores a different discovery strategy, provides sample models of how to apply the strategy, and concludes with a suggested series of texts that might be fruitfully explored. The second study examines selected texts that teach and explore the mysteries of faith. Some are intended for a wide audience who are in need of basic teaching; some seem intended only for those who are initiated. What is expected of a reader of such texts? How do these texts “teach”? Do reader expectations and experience differ as you move from genre to genre, from printed text to art and architecture? Readings include medieval interpretations of the Hebrew Bible’s “Song of Solomon,” the morality play <em>Everyman</em>, the York crucifixion play, Julian of Norwich’s mystical writings, Bunyan’s <em>Pilgrim’s Progress</em>, George Herbert’s <em>The Temple</em>, Donne’s <em>Devotions on Emergent Occasions</em>, and Milton’s <em>Paradise Lost</em>.<br></p>Miller, Georgemiller<img alt="Candlelight on pages of bible" src="/ResearchProject/RESEARCH_Miller-iStock_000000845873Small_455.jpg" style="BORDER:0px solid;" />
Vanishing objects in contemporary American literature<p>​This interdisciplinary book project is the first comprehensive study to address the role that ephemera—objects marked by their imminent disappearance or destruction—play in 20th century fiction. Planned obsolescence, technological change, and the shift from print to digital media have made ephemera ever more meaningful. The disappearing object, so definitive of post-industrial culture, is central in literature seeking to represent the experience of perpetual change and loss. Attention to these objects animates this project, which takes its cue from recent work done under the rubric of “thing theory.” If objects have lives of their own, what happens when they die? From the paper-mâché palaces of World’s Fairs to the abraded edges of postage stamps, disappearing objects intrigue writers like Don DeLillo, Ralph Ellison, Marilynne Robinson, and Philip Roth, elegists of the waning promises of American modernity. In my account, post-45 U.S. fiction responds to the vanishing object-world in ways that are both melancholic and transformative. Bringing material culture studies into dialogue with psychoanalytic theory, this book argues that literary portraits of our vanishing stuff never allow us to let go of or to fully posses our belongings. <br></p>Wasserman, Sarahswasser<img alt="objects vanishing from literature" src="/ResearchProject/RESEARCH_Wasserman-death-of-things-455.jpg" style="BORDER:0px solid;" />
The Colored Conventions Project<p><strong>Gabrielle Foreman, </strong>in collaboration with Sarah Patterson, James Casey ; and many others too numerous to list here.  In the decades preceding the Civil War, free and fugitive Blacks gathered in state and national conventions to advocate for justice as Black rights were constricting across the country. recovers and shares information about delegates and associated women whose civic engagement, political organizing and publications have long been forgotten. The Colored Conventions Project, which features graduate students as leaders across its committees, has been covered in the <a href="">New York Times</a> and was selected as an NEH Digital Humanities grant winner.</p><p>To learn more, visit: <a href="" target="_blank"></a><br></p>Foreman, Gabriellegforeman<img alt="Drawing of courtroom scene" src="/ResearchProject/TEACH_CCP_455.jpg" style="BORDER:0px solid;" />
ThingStor: A Material Culture Database<p><strong>ThingStor</strong><em> </em>is an interactive digital database designed to find objects in literature and the visual arts. Showcasing over 100 objects, the current prototype connects objects, texts, and images, illustrating how students and scholars can recognize, understand, and ultimately conduct new research on or teach with material objects found in works of fiction or visual art. Conceived and developed by Martin Brückner (PI), ThingStor is a work of collaboration between graduate students from the Humanities at the University of Delaware and the DH staff from the University of Delaware Library. The ThingStor Team welcomes your participation, comments, or suggestions! Once you are on our landing page, use the tab "About ThingStor" to learn about our vision. You can participate by using the tab "Suggest an Object" where you will find instructions as well as a submission form.</p><p>To view <strong>ThingStor</strong>, visit: <a href=""></a><br></p>Brückner, Martinmcb<img alt="" src="/ResearchProject/thingstor.jpg" style="BORDER:0px solid;" />

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